Arthub has been created as a not-for-profit in Hong Kong to expand Bizart’s scope in the Asian context. In this context, Arthub’s history is strictly related and come from the Asian soul of BizArt and its first Asian experiment Compass. Some of the listed events in this homepage come from BizArt records and are used here to provide background of where Arthub comes from and where Arthub is going to.

 

 

Bizart | IAN & Compass

IAN & Compass Archives

Compass
A framework for supporting contemporary art creation at the grassroots level in Asia

In recent years, there has been a rise in international gatherings and symposia focusing on the growing emergence of independent art and cultural centers, and the issues that surface in the operations of such centers. These symposiums have been especially instrumental in spreading awareness in Asia of the movement to adapt innovative structures of organizing artistic and cultural projects in contemporary art and society. With this growing awareness comes the need to branch out and exchange knowledge and ideas with the rest of the world, a need that was especially clear to Arthub/BizArt after attending several such conferences in Seoul, Hong Kong, Taibei and after organizing a meeting together with ASEF and Artfactories in Shanghai.

To encourage the burgeoning contemporary art scene in Asia, the Compass initiative has been created to provide pragmatic and financial support to independent organizations and individuals working in the contemporary art field around this vast region. Rather than concentrating on information and resource exchange, Compass will be focused primarily on production and art practices at the local, grassroots level.

The name “Compass” refers to Arthub/BizArt as an organization working within China, as well as reaching beyond it in an effort to connect Asian art initiatives geographically and intellectually. At the same time, we hope to connect China with the rest of Asia, creating a dynamic cultural relationship with all regions around this diverse continent.

The sheer size of Asia already presents a formidable obstacle in forming a network of art centers in this region, not to mention the major differences in political and economic situations. Providing a foundation of financial and practical support is an ideal and neutral solution. Through the course of these project exchanges and local project support, information and resource sharing occurs naturally.

Compass proposes not only to fund cross-continental projects but especially localized projects, micro projects that have fewer opportunities of reaching foundations than more established or experienced organizations. This is where the greatest need lies and where Compass will divert most of its energy towards.